Walking through The Histories feels like entering a world that has long existed but has rarely been granted the spotlight. Kerry James Marshall’s art refuses invisibility. His subjects stare back at the viewer with calm assurance, reclaiming the narrative space from which they were once excluded.
The exhibition traces Marshall’s journey from early works examining self-representation to his sweeping, multi-figure compositions that rival the old masters in scale and complexity. His recurring theme — visibility — takes many forms: in the confident gaze of a woman under a salon dryer, in a family enjoying a Sunday afternoon, in the silent dignity of historical scenes that rewrite the visual record.
Marshall’s deep understanding of art history is evident throughout. Classical compositions and biblical iconography are reimagined through a contemporary Black lens. Yet, even as the works critique the canon, they celebrate painting itself — its sensuality, its power to make presence felt.
One of the most moving aspects of The Histories is its atmosphere. In the galleries, visitors of every age and background pause longer than usual before each piece. There is a sense of recognition, even revelation — proof that representation is not just a political act, but a deeply emotional one.
In a time when museums are re-examining their collections and histories, Marshall’s exhibition stands as a model for how to do it right: by giving space, voice, and visibility where it has long been denied.
On until 18 January 2026.
Get your tickets here
WRITTEN BY: Nura Arooj
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