SAMASRAVA: An Ode to Classical Heritage” Celebrates Indian Classical Dance at India Habitat Centre

The Stein Auditorium at India Habitat Centre Tuesday resonated with the grace and rhythm of Indian classical dance as “SAMASRAVA: An Ode to Classical Heritage” unfolded. Organized by Manasija, a non-profit dedicated to preserving India’s timeless art forms, the evening featured captivating performances in Odissi, Bharatnatyam, and Kathak by acclaimed artists from across the country.

The event also served to honor two cultural stalwarts. Legendary performing arts photographer Shri Avinash Pasricha and scholar Vidushi Kamalini Nagarajan Dutt were felicitated with the Manasija Samman 2024 for their exceptional contributions to India’s arts and culture.

Supported by the Ministry of Culture, Government of India, and hosted by Sadhna Shrivastav, the event was a vibrant celebration of tradition and modernity.

Odissi maestro Arunima Ghosh opened the evening with a performance inspired by Adi Shankaracharya’s Jagannath Ashtakam, showcasing scenes of devotion, from morning prayers to the exuberance of Rathayatra. Her second presentation, Yahi Madhava, captured the anguish of Radha as she confronted Krishna’s infidelity, with choreography by Padma Vibhushan Guru Kelucharan Mohapatra. Ghosh’s third performance, NrittaLeela, highlighted the sculptural beauty and spiritual depth of Odissi, set to melodies of Rageshri raga.

“Odissi is not merely a dance form; it’s a profound journey through India’s spiritual and cultural heritage. Each movement, each expression, is a testament to the rich panorama of our traditions,” Ghosh said. “Through ‘SAMASRAVA,’ we aimed to ignite a passion for classical dance in the hearts of our audience.”

Vinod Kevin Bachan presented Devi Mahamaya: The Rise of the Divine Shakti, a solo dance drama that depicted Goddess Durga’s creation and her triumph over Mahishasura. Choreographed by Guru Ranjana Gauhar with music by Acharya Bamkin Sethi, the performance celebrated Durga’s multifaceted power. “Odissi is my life, my breath, my soul. It’s a divine language that transcends words, connecting the dancer to the cosmic rhythm,” Bachan shared.

Arohi Munshi, a Bharatnatyam exponent from Bhopal, delivered two traditional pieces choreographed by Guru Dr. Lata Munshi. Shringara Lahiri celebrated the goddess as an embodiment of art and beauty, while Krishna ni begane baro portrayed Yashoda’s loving call to Krishna. Munshi’s performances were accompanied by celebrated musicians, adding depth to her expressions.

“Bharatnatyam is a celebration of femininity, a journey of self-discovery, and a communion with the divine. It’s a dance that speaks to the soul,” Munshi remarked.

Kathak maestro Diksha Rawat concluded the evening with a spellbinding performance. Beginning with Taal Ashtamangal, an 11-beat cycle set to Raag Bhinna Shadaj, Rawat transitioned to a poignant thumri, blending traditional Banaras Gharana techniques with Dharamveer Bharati’s lines. “Kathak is a symphony of rhythm, a kaleidoscope of stories, and a celebration of life. It’s a dance that empowers, inspires, and uplifts,” she said.

Behind the scenes, the event was meticulously crafted by a talented team. Sandeep Dutta (SNA Awardee) served as Technical Director, Pawan Gusain managed video recording, and Krishna Chakraborty captured the evening through photography.

“SAMASRAVA” wasn’t just an evening of performances; it was a cultural odyssey aimed at inspiring audiences and bridging the gap between tradition and modernity. By showcasing the diverse beauty of Indian classical dance, Manasija reaffirmed its commitment to ensuring these timeless art forms endure for generations to come.

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