There is something immediately compelling about The Story, the National Theatre’s powerful newsroom drama about ambition, race and the pursuit of truth.

Tracey Scott Wilson’s play follows Yvonne, portrayed by Letitia Wright, a talented young journalist beginning a new role at an American newspaper. Working within its Black community-focused section, she is determined to prove that she has what it takes to move beyond the expectations placed upon her. When a shocking murder captures the attention of the city, Yvonne sees an opportunity to pursue the kind of story that could transform her career.

From there, the production becomes an increasingly absorbing exploration of the relationship between journalists and the communities they report on. The question of who has the right to tell a story sits at its centre, alongside bigger conversations around representation, race, class, gender and the pressures of working within the media.

Letitia Wright gives Yvonne a charismatic and determined presence. There is a real sense of ambition behind her performance, but also an underlying vulnerability as she navigates a workplace where everyone appears to have their own agenda. Her chemistry with the rest of the cast keeps the newsroom dynamics engaging throughout.

Lorraine Toussaint is a standout as Pat, an experienced editor whose strength has been shaped by years of challenging the establishment. She brings tremendous authority to the role, while also allowing glimpses of the person beneath Pat’s tough exterior. Ashley Thomas adds another strong performance as Neil, creating an interesting dynamic between the experienced journalist, the ambitious newcomer and the editor caught between them.

Clint Dyer’s direction gives the production a striking sense of momentum. The action moves quickly between conversations and perspectives, capturing the constant pressure of a newsroom where stories are developing by the minute. The design also helps establish a world that feels both theatrical and recognisable, with the newspaper environment becoming a visual representation of the competing voices and narratives at play.

Despite being written more than two decades ago, The Story feels strikingly current. Its questions about the responsibility of journalists, the power of the media and the way communities are represented remain highly relevant, particularly at a time when audiences are surrounded by an overwhelming amount of information.

Most importantly, the production gives its performers room to create characters who feel ambitious, complicated and human. It is a play that keeps you invested in its central story while giving you plenty to discuss afterwards.

The Story is an energetic, intelligent and compelling production, with excellent performances at its heart. For anyone interested in theatre that explores the relationship between media, identity and truth, it makes for a fascinating evening at the National Theatre.

Currently running until 24th October 2026. Tickets available here.

Written by: NURA AROOJ

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